Video


Angela Park plays Intermezzi

Intermezzi (2022). Angela Park, piano

Strategies Against Architecture (book II). Burn (@0’23”); Corpo Santo (@6’02”); Kieslowski’s Dogs (@11’24”)

Omar Daniel Oli enne nel'l'ä neittä... (once upon a time there were four maidens) (2015), Mvt IVPerformed by Ensemble Made In Canada Elissa Lee, violinSharon W...

Omar Daniel’s Piano Quartet, mvt. IV: Oli enne nel’l’ä neittä… (once upon a time there were four maidens) (2015). Ensemble Made in Canada: Elissa Lee, Sharon Wei, Rachel Mercer, Angela Park.

Composer - Omar Daniel Land's End Ensemble Laura Hynes, soprano Karl Hirzer, conductor.

Composer - Omar Daniel Land's End Ensemble Laura Hynes, soprano Karl Hirzer, conductor

Introduction to Sinfonia Concertante, written for the Esprit Orchestra

Canadian composer Omar Daniel discusses 'Prologue, Entr'act and Postlude' (2012), his new work for voice and live interactive electronics. Commissioned by Soundstreams with the support of the Ontario Arts Council, this work was premiered during our 'Celebrate with Soundstreams' 30th Anniversary Gala Concert on October 11, 2012 at Koerner Hall in downtown Toronto (Canada). 'When Lawrence Cherney approached me about the piece, he suggested a work that would exist ‘outside’ of the standard concert presentation. So, we decided that the work would take place in the lobby of Koerner Hall, and be performed before the audience enters the hall (Prologue), during the intermission (Entr’acte), and as the patrons leave the hall (Postlude). We also decided that the inclusion of electronics might be interesting, so as to use the lobby space ‘spatially’. Prelude has a ‘secret’ component to it that will be revealed when patrons enter the lobby area, followed by a setting of R.M. Rilke’s 'An die Musik' for soprano and live electronics. The singer invites the patrons into the concert hall. Entr’acte is a fanfare-like piece for clarinet and electronics, signaling the end of intermission. Postlude is scored for solo trumpet, snare drum and soprano scattered throughout the lobby'. Omar Daniel (2012)

Omar Daniel discusses his compositional style, as well as his composition Prologue, Entr’acte, Postlude.

The Flaying of Marsyas (excerpt). For processed violin and hanging electronic musician. Erika Raum, violin; Omar Daniel, electronics.

Composer: Omar Daniel